Writers and artists both do sketches in preparation for the final work. In the writer’s case, they usually take the form of character sketches that begin to flesh out the mind-ghosts trying to turn into story-people. This is exactly how I built the cast of Gypsy Spy. The main players began with thin histories and light descriptions. As ink was added to paper, the lines sharpened and the histories deepened giving flesh, bone, and blood to Carlos, Diego, Drake, and the host of others.
But a glimpse of one particular beauty in my imagination demanded my attention. Bringing Ocha to center stage became a must for Gypsy Spy. She was too strong a character to be denied. I am quite comfortable with sketching out characters with words. My drawing skills leave much to be desired, however.
Creative stretching requires one to push outside one’s artistic comfort zones. Working in different artistic disciplines can bring new energy to a writing project. Below is an example of one such effort. It is my first attempt at a Photoshop sketch effect (thank you Photoshop Training Channel). The stock image is one I chose to represent Ocha in the Prologue Book Trailer. The one below it is what it might have looked like had Carlos paid a Paris street artist to sketch his beloved.